The Power of One with Kelley Knickerbocker
Five ways to turn any material into many
Enroll in Course
It's quite possible that this course will revolutionize how you choose and use mosaic art materials. As you watch Kelley analyze and process eight materials (that you probably have in your studio already) into a dozen more, you'll quickly realize that you can do the same!
Mass-produced mosaic art materials can really speed up our mosaic production, but their lack of variation in shape and texture severely limits their expressive potential. But when you know how to assess and exploit the potential of a material you can make it into many with just a few simple methods. In fact, in this course Kelley will show you how it's possible to make an entire abstract mosaic out of just one mass-produced material and have it still be diverse and expressive.
It takes a little more work to get the best out of machined materials, but not much! ANY alteration you make to a machined material immediately makes it a more interesting and original expression of your creativity.
Mosaic art materials such as: penny rounds, square glass tiles, glass blobs; these are just a few of the machined materials Kelley shows you how to transform from ordinary to amazing with simple cuts, setting tips, quick alterations, and more.
Here's just some of what you'll learn in this course as you watch and/or build along:
- The five major factors that impact how any material presents in a mosaic
- What to look for when assessing any material's potential
- How to make ho-hum materials look exotic
- How to make machined materials look more organic
- How to cut and set ordinary materials in unexpected ways
- How to design a mosaic to showcase multiple ways a material can be used
We're so glad that machined materials are readily available and affordable. Grab a selection of whatever you have on hand and let Kelley show you how to transform it into head-turning, expressive "new" elements and compose it into a mosaic!
Kelley has included a list of her suggested materials, tools, and resources for this course.
Your Instructor
Visual artist Kelley Knickerbocker left a 22-yr administrative career at the University of Washington in 2006 to found a mosaic studio (Rivenworks Mosaics, Seattle) and direct her accumulated skills in project management and planning toward designing/fabricating/installing mosaic artwork for public, commercial, residential and gallery environments.
Kelley’s ruggedly dimensional mosaics, in a broad range of materials, are a textural distillation of her fascination with contrast, material properties and the technical challenges of mosaic construction. Sharing that fascination and learning from other art makers are keys to the freshness of Kelley’s mosaic practice, and she travels extensively throughout North America speaking, collaborating and teaching in-depth workshops on mosaic style and technique.
Kelley’s fine art mosaic panels have been accepted to numerous national and international juried exhibitions, and many reside in private collections. She is an active member of the Society of American Mosaic Artists.
Course Curriculum
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StartIntro and personal interview with Kelley and Tami (8:33)
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StartConcept overview (8:57)
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StartFive factors that can transform any mosaic material (10:03)
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StartCutting penny round tile (13:00)
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StartCutting square glass tile (12:48)
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StartCutting glass blobs (17:07)
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StartCutting crockery (14:51)
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StartCutting millefiori (12:01)
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StartCutting oval glass tile (12:57)
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StartCutting unglazed porcelain (9:00)
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StartCutting colorful stained glass (16:10)
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StartAlteration (14:27)
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StartBuilding with square tiles, 1 (21:43)
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StartBuilding with square tiles, 2 (4:21)
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StartBuilding with chunked millefiori, 1 (7:38)
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StartBuilding with chunked millefiori, 2 (7:16)
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StartBuilding with oval glass tiles, 1 (17:57)
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StartBuilding with oval glass tiles, 2 (1:59)
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StartBuilding with ceramic penny rounds, 1 (14:13)
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StartBuilding with ceramic penny rounds, 2 (8:40)
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StartBuilding with ceramic penny rounds, 3 (2:41)
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StartBuilding with glass blobs, 1 (11:36)
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StartBuilding with glass blobs, 2 (2:32)
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StartAnalysis: unglazed porcelain, crockery, stained glass (10:20)
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StartReview and wrap-up (8:48)