Self-Portrait Mosaic in Smalti and Mixed-Media with Arianna Gallo
Masterclass in Contemporary Mosaic Portraits of Yourself or Others
Enroll in Course
Have you ever wondered what it would be like to create a self-portrait in mosaic, just like the professionals? Or are you curious how to approach mosaic portraiture in a contemporary style? This course is designed to guide you through the process of creating your own self-portrait mosaic, from start to finish, with the expertise and guidance of the very talented artist Arianna Gallo. You can create a portrait of someone other than yourself using all of the same methods Arianna teaches in this course.
Creating a self-portrait may seem daunting, especially in mosaics, but with the proper techniques and a bit of inspiration, it can be very insightful and rewarding. In this course, Arianna will walk you through each step, offering hours of instruction, including all of her tried-and-true tips, tricks, and expert advice to help you bring your vision to life.
Why Create a Self-Portrait?
A self-portrait offers a unique opportunity to truly understand the structure and nuances of your own facial features. Rather than focusing on another person's face, you'll have the chance to learn at your own pace, refining your mosaic skills while exploring the intimate and creative process of capturing yourself in art.
What You'll Learn:
- The Power of Self-Portraits in Mosaic: Understand why creating a self-portrait is an effective way to learn the essential skills of mosaic portraiture
- Classical vs. Contemporary Mosaic Portraiture: Explore the differences between traditional and modern mosaic portrait styles
- Guidelines for a Proper Self-Portrait Photo: Learn how to take a clear and detailed self-portrait photograph
- Composition & Dimensions: Learn how to choose the ideal composition and scale for your mosaic portrait
- Mapping Highlights and Shadows: Learn how to draw the light and dark areas of your portrait
- Choosing Your Color Palette: Explore how to select the right colors using Italian and Mexican smalti or other types of glass
- Expanding Your Materials: Understand how to incorporate various materials like stained glass and mixed media materials
- Andamento in Portraits: Learn how to create andamento (the lines) in a way that complements your portrait's facial features
- Adding Mixed-Media Elements: Experiment with incorporating mixed-media materials into your mosaic to give it a contemporary look
- Tinted Self-Leveling Cement for the Background: Master how to mix and pour self-leveling cement for your background, giving it a professional, finished look
Why Take This Course?
Whether you're new to mosaics or looking to expand your skills, this course will guide you through the entire process of creating a portrait mosaic in a modern and exciting way. Arianna’s thoughtful and knowledgeable guidance will empower you to take on the challenge of a self-portrait or portrait of someone else, giving you the confidence to tackle an achievable and gratifying project.
Arianna has included a detailed suggested list of tools, materials, and resources. As an option Arianna has also included an image of her self-portrait for you to follow along with as she creates in this course.
Your Instructor
Arianna Gallo graduated with a first-class honour’s degree from Gino Severini Mosaic Institute of Art and from Scuola per il Restauro del Mosaico, Soprintendenza di Ravenna.
During and after her training, Arianna worked as a restorer (1999-2004), she has participated in the conservation of the prestigious Domus dei Tappeti di Pietra and the Mausoleum of Galla Placidia in Ravenna.
Between 2000 and 2005 she taught mosaic techniques at the CISIM, International Center for Mosaic Teaching Studies, a specialist international mosaic school based in Lido Adriano, Ravenna.
Arianna has participated in the making of the replica of the monumental Alexander Mosaic for the House of the Faun, Pompei (2002-2004), the most famous and largest opus vermiculatum mosaic in the world.
Arianna opened Koko Mosaico in 2005, an independent mosaic studio in the heart of the old city of Ravenna, together with her husband, the visual artist Luca Barberini.
The works created by Koko Mosaico range from copies of ancient mosaics to commissions of original modern and contemporary mosaics, suitable for interiors as well as external architectural spaces.
She also collaborates with international contemporary artists, interpreting their work in the mosaic medium. Among the most important projects of the studio, the translation of Domingo Zapata's works for the Venice Biennale, 2013.
The activity of Koko Mosaico is supervised by Arianna, creative director of the laboratory, a multifaceted figure who deals not only with the conception, design and production.
Arianna and her team continue to explore the language of mosaic, while never losing sight of its ancient traditions, also with the teaching of mosaic techniques.
Students from all over the world come to Koko Mosaico willing to learn this ancient art, also mosaic artists eager to broaden their knowledge.
The Direct Ravenna Method course is the master, through the latter the phases of the direct technique on temporary support (lime /clay) or the secrets of the direct technique on cement mortar are explored.
The Koko Mosaico team is capable of mastering the most disparate techniques of execution.
The workshop is an open studio, full of light and international in character: a space where ideas become reality.
Arianna is also responsible for overseeing Italian and international commissions and all artistic collaborations at the studio.
She has accrued significant experience in organizing workshops both abroad and in her studio in Ravenna, where she hosts Erasmus exchange students including those with the Academy of Fine Arts and the Mosaic Conservation programme held at the Ravenna branch of Bologna University.
She has organized a range of mosaic projects and has collaborated with the public sector, with museums and universities both in Italy and with several independent mosaic studios in Europe, the US, Canada, and Australia.
As an artist, she regularly exhibits and has recently participated in exhibition Piccoli Mosaici at NeoHouse, Tokyo; Kyoto Mosaic Exhibition, Japan, and shows in Florence and Rome, as well as Ravenna.
Arianna has won many prizes and recognition for her artwork and its role in social engagement. In 2019, her interpretation of the artwork Scar by Chinese artist Peng Shuai won the GAeM award.
Icon of her style, Lens was acquired by MAR, Museum of Art of Ravenna in 2009.
Course Curriculum
-
StartIntro and interview with Arianna and Tami (14:59)
-
StartPDF for download. Suggested tools, materials, and resources. Options to purchase self-leveling cement and liquid tints
-
StartDownloadable image and drawing of Arianna Gallo
-
StartCourse overview (1:13)
-
StartWhy a self portrait (7:29)
-
StartIntroduction from classical to contemporary portraits (10:54)
-
StartTips to create a good mosaic portrait (16:53)
-
StartPsychological and emotional considerations when creating a self portrait (6:38)
-
StartTechnical guidelines for taking a self portrait photo (10:17)
-
StartDeciding the composition and dimension for the portrait (3:01)
-
StartComparing the photo to the mosaic (11:27)
-
StartIntroduction to portrait materials (1:59)
-
StartMaterials tour (7:34)
-
StartCutting demo for Italian Smalti (11:08)
-
StartCutting demo for stained glass (7:21)
-
StartCutting demo for lead (7:23)
-
StartChoosing the flesh tone palette in smalti (5:25)
-
StartChoosing the eyes and lips palette in smalti (3:28)
-
StartAnatomical lesson for tracing and mapping ancient mosaic portrait (14:43)
-
StartMapping the contemporary self portrait (22:37)
-
StartTaping image and plastic to temporary substrate (3:49)
-
StartMixing the thin set. The rules for adding it to each piece of tesserae (8:45)
-
StartMosaic the Eye: Part 1 (25:56)
-
StartMosaic the Eye: Part 2 (10:05)
-
StartImportant tips for cleaning the thin set (1:47)
-
StartMosaic under the eye: Part 1 (18:06)
-
StartMosaic under the eye: Part 2 (24:53)
-
StartMosaic the cheek (20:08)
-
StartMosaic the nose (35:42)
-
StartMosaic the eyebrow (22:48)
-
StartMosaic the forehead (5:51)
-
StartMosaic the upper lip (9:34)
-
StartReview for the right side of the portrait (5:11)
-
StartMosaic top of the mouth (31:09)
-
StartMosaic the chin (31:21)
-
StartFinal face mosaic review-detach review (2:22)
-
StartMosaic the hair. Add mixed-media hair clip. Change thin set color. (27:49)
-
StartReview hair and add the stained glass for the shirt (1:44)
-
StartApply the blue stained glass for the shirt (8:55)
-
StartThe Neck (25:13)
-
StartReview completed mosaic portion (4:41)
-
StartHow and why it is important to change out pieces that don't work (4:05)
-
StartReview changes before detaching (3:14)
-
StartHow to detach the mosaic from the temporary substrate (12:53)
-
StartAttach the portrait to the permanent substrate (19:53)
-
StartHow prepare and pour the self-leveling cement (22:28)
-
StartTips for re-using your left over self-leveling cement (2:11)
-
StartGuidelines for choosing a good non-self portrait photograph (5:16)
-
StartWrap up and thank you!! (1:10)