Line, Shape, and Space: Abstract Design for Mosaic with Kelley Knickerbocker
Creating story with line and shape
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Abstract design can be intimidating, and more than a little confusing. Where do we begin? How do we decide where the energy, weight, or balance of an artwork will be when the composition isn’t based on anything in our objective reality? How do we express meaning, emotion, and story with just line, shape, and space?
Mosaic Arts Online presents Kelley Knickerbocker - abstract mosaic artist extraordinaire - to walk us through her unique approach to abstract design for mosaic, and show us how vital good design and composition are for our artworks’ success.
Included in this course is a PDF for download with a list of supplies, resources, and practical templates.
Karen M.
Pippa B
Judy B.
"Your course is so helpful and filled with knowledge and insights. You have this special gift to turn a fairly intimidating subject into something inviting and fun while being an amazing artist. Viewing and exploring your artwork was a special treat. Thank you." Regine F.
Your Instructor
Visual artist Kelley Knickerbocker left a 22-yr administrative career at the University of Washington in 2006 to found a mosaic studio (Rivenworks Mosaics, Seattle) and direct her accumulated skills in project management and planning toward designing/fabricating/installing mosaic artwork for public, commercial, residential and gallery environments.
Kelley’s ruggedly dimensional mosaics, in a broad range of materials, are a textural distillation of her fascination with contrast, material properties and the technical challenges of mosaic construction. Sharing that fascination and learning from other art makers are keys to the freshness of Kelley’s mosaic practice, and she travels extensively throughout North America speaking, collaborating and teaching in-depth workshops on mosaic style and technique.
Kelley’s fine art mosaic panels have been accepted to numerous national and international juried exhibitions, and many reside in private collections. She is an active member of the Society of American Mosaic Artists.
Course Curriculum
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StartIntro and Personal Interview with Kelley and Tami (7:58)
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StartPDF of Supplies and Resources for download
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StartDefining our terms (5:14)
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StartIntroduction to line (10:43)
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StartUse of line as an underlying design structure (occupying space) (12:58)
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StartFinding story in line structures (9:26)
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StartLine variations (splits, arcs, breaches, intersections, parallels, implied) (13:56)
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StartPractical line exercise, part 1 (4:19)
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StartPractical line exercise, part 2 (4:31)
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StartCombining line and shape, part 1 (11:26)
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StartCombining line and shape, part 2 (7:59)
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StartShape in composition, and basic design principles (14:13)
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StartMultiple-shape compositions (15:57)
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StartAbstracting realism (5:28)
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StartSpontaneity in design (16:20)
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StartA design resource manual recommendation (4:17)
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StartBuilding out a design, part 1 (12:56)
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StartBuilding out a design, part 2 (11:35)
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StartBuilding out a design, part 3 (4:47)
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StartBuilding out a design, part 4 (13:28)
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StartBuilding out a design, part 5 (11:47)
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StartSummary and Thank you (5:40)