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Color Theory with Anabella Wewer
First Section
Introduction and personal Interview with Tami and Anabella. (6:02)
PDF Materials and Resources.
Color and color theory — in mosaic. (1:56)
Monochrome work: Gradations (4:42)
Transitioning between colors within a line. (7:16)
How many tones do we need for an effective gradation? (5:31)
Considerations when selecting materials for color. (9:23)
Reflections, mixing and intro to making color. (8:38)
Gradations in 3D forms. (6:21)
Color in 3D forms continued. (4:09)
The color wheel and history of color theory. (9:09)
Afterimages. (5:52)
Afterimages in color (4:15)
Effects of hue and value. (4:55)
How the interaction of colors affects our perception. (9:31)
How the eye blends and perceives colors. (7:11)
Grayscale, values and afterimages. (9:16)
Making color brighter by selecting the correct neighbors. (9:50)
How light affects the color we see. (5:21)
Color vibration. Dimension and color perception.. (9:50)
Size of tesserae and color mixing. (4:57)
How background color affects our perception (and how that applies to thinset or grout color). (3:27)
Color perception continued. (4:57)
Applying color theory to mixing and making color. (7:59)
Chroma or intensity. (7:05)
Color combinations using the wheel. (2:41)
Overuse of contrasting colors. (2:59)
Creating more vibrant solids. (7:56)
Pointillists and post-impressionists’s use of color theory. (7:24)
Testing to understand proportion. (2:44)
Additive and subtractive color. Using the wheel to make compositions. (6:58)
Light, additive color and perception. (5:09)
Wrap Up and Thank you! (1:06)
How background color affects our perception (and how that applies to thinset or grout color).
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